Gypsy film gets European airing

Students from Monkton School have been showing off their film-making talents on a recent trip to the European Parliament in Brussels.

Hosted by Plaid MEP Jill Evans, the visit was made possible by the Priory Project, which provides education and support for secondary school-aged gypsy children.

"It is refreshing to see young people from Wales taking the lead with a groundbreaking project like this.”

Jill Evans MEPAn informative DVD in which the young people share their views and experiences, was made with support from the Welsh Assembly Government and Save the Children, which also helped fund the visit to Brussels.

The party was led by project leader Bev Stephens and headteacher William Rees. Children heard from Belgian MEP, Els de Groen; Caroline Mooney of the Welsh Assembly and Livia Jaroka, the first Romany gypsy MEP to be elected.

Presentations were made by Caroline Mooney, of the Assembly’s social inclusion department, and Ant Edwards, of Save The Children. Priory Project pupil, Kirby Jones, also spoke to the MEPs about the work being done in Pembrokeshire.

Jill Evans MEP said: “I learned a lot from meeting these young people. They were impressive advocates for the gypsy traveller community and presented first hand evidence of their experiences and the challenges they face.

“The European Union now has a Roma Inclusion Strategy, but there is still a lot of discrimination.

“These young people were very interested in the work of the European Parliament. It is refreshing to see young people from Wales taking the lead with a groundbreaking project like this.”

She added: "I have asked for a copy of the DVD and will show it to my colleagues. This project has my wholehearted support.”

Gypsy Zeitgeist: Films by Tony Gatlif

EU, 13.3.2007, 10:10, (Blogcritics)

Occasionally a filmmaker succeeds in capturing an authentic aspect of human life and culture. That's always a triumph in this age of formulaic plots and endless sequels. The obscure and intense movies of Tony Gatlif certainly qualify as modern screen gems. Gatlif weaves colorful and musical tapestries of European Gypsy life that are powerful portrayals of one of the oldest and most misunderstood cultures on the planet, the Roma.

Gatlif's 2000 film, Vengo, is set in a dusty Gypsy village in southern Spain. Almost all of Spain's passionate flamenco music is performed by Gypsies. And Vengo is notable for the abundance of raw, authentic flamenco performances that are showcased in the film. Even grandma, La Abuela, gets into the act with an a capella performance that couldn't possibly be any more emotional. The rhythms of flamenco come from the soul of Spanish Gypsies, and this movie gives viewers a glimpse of what that really sounds, looks and feels like.

Vengo is a powerful exploration of the role of family honor and the age-old practice of blood feuds among ancient cultures that disdain modern law and authority. The Spanish title of the movie, in a classic play on words, suggests that "vengeance" is "coming."

Gatilf's early work includes two films that are often cited as the definitive cinematic reflections on Gypsy zeitgeist, Latcho Drom and Gadjo Dilo. Latcho Drom charts the journey of the Roma from their beginnings in the state of Rajahstan in India; through the Middle East, up the Balkans to Central Europe, and ending in France and Spain. Understanding this journey, and the role of music in the lives of the travelers, is key to appreciating the roots of Gypsy culture.

Gadjo Dilo, literally translated as "crazy outsider," centers around a story of a young man who embarks on a journey from France to Romania to try to find a singer that he discovers on one of his late grandfather's tapes. In the process, he learns a lot about the life of Gypsies in Central Europe, the cultural bias and ghettos; falls in love, and discovers the full range of Romanian Gypsy music.

An examination of European Gypsy life couldn't overlook the famous Manouche Clan of French Gypsies. This clan forever changed the face of jazz with the musical improvisations of Django Reinhardt and his group, The Hot Club Quintet of France. Gatlif's Swing introduces Max, a well-off traditional Parisian sort who encounters an engaging young woman who introduces him to a new world of life, love, music and culture. Both Gadjo Dilo and Swing employ the device of a "stranger" falling in love with an exotic, young Gypsy woman.

The Gypsy culture is very different from traditional western societies, and must be understood outside of that context. The persistence of young love provides a mechanism for unfolding the process, level by level. Not for the easily distracted, these movies are highly recommended.