Nomadic Beauty

A new exhibition shows a life-long fascination with gypsies.

By Yelena Shuster
Published: July 25, 2008

Behind a stark background of a dilapidated shack and bare trees stands a dark-skinned gypsy in a white wedding dress. Her gaze is defiant as one hand holds up the lace dress and the other hand rests boldly on her hips.

This contrast between the lovely and the wretched has immortalized photographer Lyalya Kuznetsova since 1979, when she first began capturing intimate moments in black and white all over Eurasia.

Since then, her documentary style has won her exhibitions and medals all over Europe and the United States. The current "Gypsies" exhibition at the Pobeda Gallery has collected 47 of her photographs over a 19-year period in order to introduce these classics to younger generations.

"Non-conformist Soviet photographers like Lyalya fell in a temporary pothole because of what was going on in the country at the time," said curator Irina Meglinskaya. "They are all legends, of course, but they don't exist in the mainstream. It was very important for me to connect this generation with the past one."

Known for their exotic dress and nomadic habits, gypsies have always been considered second-class citizens in Russian culture. Stereotypes include their practice of black magic and their penchant for pick-pocketing and stealing children.

Kuznetsova depicts their life on the outskirts of society with an intimacy rarely achieved by the presence of a camera. Her decision to capture the gypsy way of life was a personal one.

The year was 1977 and Kuznetsova's husband passed away. She quit her job as an aviation engineer and picked up a camera. Without any technical training, the Kazakhstan native dug into her childhood and began capturing the bright necklaces and skirt rustles of the gypsies around Oral, with whom she grew up.

"When things are awful, we reach for the roots that previously gave us strength. Photography became my way of expressing my sorrow," she said.

Though her mother warned her that gypsies kidnap children who misbehave, Kuznetsova was entranced by the gypsies who came to buy milk from her aunt's cow in a nearby village. Kuznetsova remembers watching the gypsies and their bright bonfires from atop the roof of her aunt's house.

"In my childhood, gypsies were always surrounded by this mystery. It was some kind of fairytale," Kuznetsova said. "With them was connected the smell of sagebrush, the smell of the steppe and the sound of bitter gypsy songs."

Kuznetsova began her photography career with a five-year-old daughter in her arms, and a major motif of the exhibit is a mother's love for her child. Whether depicting an elderly gypsy from Oral sitting on a pile of bedding behind a carriage with two girls by her side or a Turkmen grandmother snuggling with a child concealed in her veil, Kuznetsova portrays the resilience of these women without bordering on kitsch.

Kuznetsova considers all of her photography self-portraits. Though she is already a grandmother, her spirit is in that gypsy girl with the wedding dress, her gaze defiant amidst the damage that surrounds her.

For her next project, Kuznetsova plans to return to her beloved subject and photograph gypsies in the 21st century in Moscow's surrounding regions. Though she has been photographing gypsies for almost two decades, Kuznetsova has no idea what to expect.

"I cannot predict what happens when I click the camera," Kuznetsova said. "When I photograph, I don't think about the spectator. In fact, I don't think at all. I search for the photos where I feel a snag in my heart."

"Gypsies" (Tsygane) runs to Aug. 31 at Pobeda Gallery in Winzavod Center of Contemporary Arts, located at 1 4th Syromyatnichesky Pereulok, Bldg. 6. Metro Kurskaya. Tel. 917-4646.

The Spellbinding Music of Vardos

By Emma Hall
Special to the Epoch Times Jun 21, 2007


Vardos' Alana Hunt with her quick violin, Sofia Chapman plays the piano accordion and Indra Buraczewska on the bass at the Surrey Music Cafe in Box Hill. (Jarrod Hall)

Stories of cheese, milk, flies, horse taxis and mountains may not sound like the ideal night out, but it's merely the appetiser to the gypsy music that regularly sweeps the audience off their feet when Vardos work their magic. The trio play gypsy as well as traditional Hungarian and Romanian songs with a few Russian tunes thrown in.

Vardos energetically play a game of cat and mouse with their instruments while closely interacting with each other and the audience. Violinist Alana Hunt drives the trio with her violin; Sofia Chapman plays the piano accordion, while Indra Buraczewska – "the authentic European" – plays the bass.

Sofia Chapman explains why she is drawn to specialise in European music: "With the folk music and the gypsy music it just seems to be very lively and when you go and hang out in those communities you see everyone in the village just gets involved and so for weddings they'll go for days on end. It's just dancing and enjoying the music. It's exciting to get caught up in that too."

The band was formed in 1993 in Perth by Alana Hunt and since then Alana, along with Sofia, has made several trips to Europe to enhance their gypsy music training.

Watching them perform, it really doesn't matter where they're from; they've certainly captured the European gypsy music spirit excitement and humour.

During the show, Alana tells earthy stories of cheese, milk, flies, horses and mountains to introduce the origin of many songs. Some of Vardos's songs, particularly the Romanian ones, have slow melodies that are perfectly interwoven with each other. Other songs spin into a dizzying passion and dancing, and showcase the fantastic interaction between the three musicians who exchange meaningful looks.

One Romanian song about fairies at a stream had a lingering and mysterious quality to it that really made one feel as if walking in a deep forest.

"A lot of the people that we've learnt from do happen to be gypsies. That section of the gypsy community that plays the music, they just try and outdo everybody and play the best that they can and that's why whatever sort of music they play, gypsy musicians can excel at it," says Sofia Chapman.

Apart from playing to live audiences, Vardos have also branched out into film and television with a line-up of several short-film soundtracks to their name, including the ABC series "Seachange". More recently, in March this year, they were guests on The Footy Show playing their version of It's more than a Game.

They also featured in Ruth Cullen's documentary on artist Vali Myers, Painted Lady.

Vardos have toured in the US, Germany, New Zealand, New Caledonia, Switzerland, around Hungary and also played at the Famous Spiegeltent in the Edinburgh Fringe Festival. In 2003 they were nominated for the BBC Radio3 World Music Awards.

It is rare that musicians who are not native to the cultures of Romania and Hungary can hold their own when playing the music to which locals claim ownership. But even the locals admit that gypsy music is best left to gypsies; the fact that Vardos dare to tread into such emotionally charged territory speaks volumes. A quote from a Romanian local newspaper illustrates their passion: "If in the beginning of our careers we thought that we couldn't live without music, now we are sure that we can't live without Romanian music."

Vardos will perform on Saturday June 16 at the Austrian Club in Heidelberg West in Melbourne and at the Czech House on June 17 in North Melbourne. In true gypsy fashion the trio perform at a whole range of events that also include weddings. To find out more and sample their spellbinding music visit www.vardos.com.au.


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Copyright 2000 - 2007 Epoch Times International

Estonia erects monument to Gypsy victims of Nazi executions

TALLINN, May 7 (RIA Novosti) - A monument to Gypsies murdered in a Nazi death camp near Tallinn during WWII has been unveiled in Estonia, local TV said.

Estonian TV said Sunday it took the country's Gypsy community six years to find a site and collect money for the monument to about 2,000 Gypsies, who were executed in Kalevi-Lijva together with 4,000 of German, Czechoslovak and Polish Jews during WWII.

Late in April, Estonian authorities removed the Bronze Soldier statue to Soviet soldiers buried in central Tallinn to a military cemetery at the city's outskirts.

The monument's relocation sparked a wave of protests, both in Moscow and Tallinn. Last week Russia expressed deep concern about a lack of response from the European Union to Tallinn's actions and was angered by the reaction of some EU countries, as well as the U.S., which said it was the Baltic state's internal affair and called for dialogue.